Stumbling into this tragicomedy was an unexpected delight, offering a compelling look at a man spiraling through a messy breakup and a toxic situationship. While the narrative itself might not break new ground, the execution feels remarkably fresh and the overall approach is distinctive. It provides an unfiltered, honest examination of body image, queer dating, and the unending battle with self-worth. Thanks to energetic, rapid editing and a voiceover paired with a nonlinear structure, the storytelling really succeeds. Ultimately, the film suggests that moving forward sometimes requires looking back first. The story begins with Benji being dumped by his boyfriend. He enters a heavy spiral of rejection, drinking daily while his mother becomes increasingly concerned. He eventually understands that revisiting his past is the only way to move forward. Benji has realized he is submissive and gravitates toward dominant, somewhat rough men in bed, yet he still craves someone who will hold his hand and comfort him afterward. We flash back eighteen months to an airport where he meets Jake, an incredibly attractive man, as they both head to Amsterdam for the weekend. Jake establishes immediately that he is straight. Despite this, the two click instantly; Jake brings a girl back with them and later sleeps with Benji as well. They form an arrangement to meet in Amsterdam every month, with Jake paying for everything. Even though the sex is great, Jake insists on his straightness throughout. This arrangement eventually collapses because Benji wants more than just a physical connection, and Jake makes it clear that will never happen. Jake…