Set within a performing arts program, this GMMTV series tracks university students navigating jealousy, ambition, desire, and complicated relationships. It feels as though the studio gathered nearly every lead actor from their previous projects, resulting in a cast filled with familiar faces. The narrative centers on three main couples alongside several side characters who play significant roles in the plot. Each of the 12 episodes lasts approximately 55-60 minutes. The plot kicks off as students prepare for a stage production of Romeo and Romeo, with Jack directing and holding open auditions. While Jack's ex, Dean, used to secure lead roles automatically in Jack's productions, Jack declares that this time, roles are earned through the best audition. Dean attempts to seduce Jack in hopes of winning him back, but Jack rejects him. Meanwhile, Raffy hopes that landing a role will allow him to get close to Jack, though Jack shows no interest in him. This creates a cycle where Raffy, after being rejected by Jack, hooks up with Jack's stepbrother, Rome, who has feelings for Raffy but is constantly brushed off. The third couple involves Rua and Arnold; Rua, who is Dean's roommate, friend, and the show's costume designer, has a crush on Arnold and encourages him to audition for the lead. Ultimately, Arnold and Dean secure the two lead roles, leaving Raffy with only a side part. As rehearsals progress, the boundaries between vulnerability, rivalry, jealousy, and love begin to blur. The series captures how emotions overflow when people collaborate on a creative project, as ego, ambition, insecurity, attraction, and…
Just Not Naked Enough (USA)Alex and David are married but living in a state of quiet separation. On the morning of their shared birthday, they meet again at the Los Angeles home they once occupied together. What begins as a polite conversation by the pool gradually exposes the deep fractures in their marriage, including professional imbalance, depression, sexual estrangement, and unresolved betrayal. The rising tension culminates in the discovery of a devastating detail—a stranger's watch found by their bed—which forces them to face the reality of infidelity and their growing emotional distance. Throughout this single morning, the couple faces a choice: let pride and resentment drive them apart, or become emotionally "naked enough" to fight for their relationship. IUS Del Tiempo (Spain) [IUS of Time]A young photography student travels to a remote village in northern Spain to reconnect with his roots, where he meets Xuan, an aging cheesemaker burdened by long‑standing rumors regarding his sexuality. As Luca's camera captures Xuan's craftsmanship, an unexpected and quiet connection develops between the two men, uncovering unspoken histories, old wounds, and the prejudices of Xuan's past. This gentle bond begins to form, slowly challenging a lifetime of silence, shame, and gossip. Yr Alwad (UK/Wales) [The Call]Have you ever felt unsafe while walking down a street at night? For many in the LGBTQIA+ community, this is a familiar and sad reality. While speaking on the phone with his mother (Emma), Dylan realizes that former classmates are currently following and taunting him. The Call builds powerful tension by utilizing the helplessness of being physically distant from…
It is evident that short form creators were paying close attention when Heated Rivalry became a hit, as gay athlete love stories are evolving into a distinct genre of their own. You can sense that more of these are on the way. This installment dives immediately into the aftermath, resuming Donovan and Kaden's relationship just after everything went public at the end of the first series. The show opens with things going well for the pair, bolstered by Donovan receiving his NFL draft call. Rather than celebrating, however, Donovan is prepared to abandon the opportunity because going professional would require him to hide his true self, something he refuses to do at the expense of Kaden. After his mother pulls Kaden aside to tell him he needs to stop getting in his own way, Kaden makes the heartbreaking decision to invent a fake relationship and push Donovan away so the man can pursue his dream. Three years later, Kaden is nearing the end of his degree and interning at an NFL agency that is currently eyeing Donovan for a contract. When Donovan walks in, he asks for Kaden by name to be his assigned contact for the entire negotiation. While revenge is the intended plan, it falls apart every single time he is in the same room as Kaden. Kaden continues to build walls, driven by his singular focus on protecting Donovan's career. This results in over an hour of charged, love you hate you energy. During this time, Donovan quietly informs the agency that he is gay, secures an…
This film fits neatly into the ongoing trend of male bonding dramas, centering on two men—one straight and one gay—whose lives become intertwined following a shared loss. While the underlying concept is good, the execution fumbles the potential. The movie fails to provide proper explanations at the beginning or resolutions at the end, and the focus is frequently diverted by various side characters and storylines that should have remained with the two leads. The narrative would have benefited significantly from more digging into the characters' histories. Following the death of Kenneth, his estranged son Martin travels from New York back to the family home in Cape Cod, ending years of no contact. Martin is unaware that after his mother passed, his father entered a relationship with his gardener, Ted, who is now left grieving alone. Forced to sit across from one another, these two strangers—the son and the partner—must navigate funeral arrangements and the reality of life moving forward. Because the man Ted describes with such love bears little resemblance to the father Martin remembers, their dynamic shifts between being weirdly funny and genuinely sad. The tension centers on the house: Martin views it as something to sell, especially with a relentless real estate agent constantly appearing to push that agenda, while Ted wants to stay in the place where his entire relationship with Kenneth lived. Martin, however, is not in a rush to hand over what he considers his right to deal with. The film gives both men a fair hearing, avoiding making either one the obvious villain. While…
While traveling to the Berlin International Film Festival to screen his previous film Paper Dolls, Israeli documentary filmmaker Tomer Heymann returns to Germany—a country his grandfather fled seventy years ago to establish a new life in Palestine. It is during this trip that he meets Andreas, a German dancer, sparking a connection that evolves from a 48-hour whirlwind into a much more significant bond. Intertwined with this relationship, the documentary also explores the concurrent events occurring in the life of Tomer's mother. The documentary centers on two primary dynamics: the connection between Tomer and his mother, Noa, and the developing relationship between Tomer and Andreas. Because her children have departed the country she and her family worked so hard to build, Noa is left struggling with their absence; since his parents split, Tomer remains the only child still present, leading her to exert a grip on his life that likely exceeds his comfort level. Meanwhile, Andreas's eventual relocation to Tel Aviv involves more than just entering a new romance; he must navigate the intricate daily realities of life in Israel while also managing his personal history as a German citizen. I am still unsure of what this documentary was attempting to achieve, as the entire production feels incredibly self-indulgent. Rather than letting the audience in, Tomer spends most of the film hiding behind a handheld camera, offering nothing particularly interesting to chew on. The result is a lopsided glimpse into his life that lacks almost any depth. Even the segments touching on Noa's situation—such as the kids returning when she…
It is rare for the Thai BL genre to step outside its typical comfort zone, making this unexpected blend of horror, folklore, black magic, and a complete murder mystery a real shock. I was even more surprised by my own response; I found myself totally gripped by the thriller elements, to the point where the BL moments occasionally felt like they were disrupting an otherwise well-constructed and tight mystery. I never imagined I would say that, as I typically find myself complaining when shows of this type lack sufficient romance. Across thirteen episodes of roughly 50 minutes each, every installment feels meaningful and offers something substantial. The series begins with blood and gore and ends with starlight and kisses, with everything in between encompassing suspense, heartbreak, guilt, black magic, the messy reality of not being over an ex, and even a hometown trip with a brand new boyfriend. The series sets its tone right from the start at a crime scene where seven bodies hang from a banyan tree, their eyes and mouths sealed shut and each at a different stage of decomposition. When Inspector Singha and his team arrive, they find only one person at the scene: a commoner named Thup, who serves as both the sole witness and the only suspect. Thup is in a state of near-collapse, terrified because he has been almost fully possessed by ghosts; strangely, these entities only seem to retreat when Singha is near him. After Singha begins questioning him in earnest, he realizes quite rapidly that Thup is not the killer. However,…
Centered on individuals seeking to fulfill their desires through supernatural means, the anthology series MuTeLuv ensures that love intersects with every one of those paths. I am focusing my writing specifically on the two stories featuring gay plotlines, which are the only two within the entire series. This specific narrative spans four episodes, with each one lasting approximately 45 minutes. In the first story, "Hi" By My Luck, we follow Err, a high school kid whose entire identity is built on being the academic golden boy, topping his class and winning olympiads. This status quo is threatened when Mawin transfers in; without even trying, the quiet new student begins to overshadow Err's achievements. Err views him as a dark horse, and the fact that Mawin is effortlessly brilliant drives Err absolutely crazy, even though Mawin is completely unaware of the effect he has. With a major scholarship exam on the horizon that offers the chance to study abroad, Err refuses to let his position slip. After a friend tells him about an app that provides guidance on how to handle various situations, Err begins using it obsessively to figure out how to beat Mawin and perform better. During a training camp with fifteen other students preparing for the scholarship exam, the two boys are placed in the same room. Following the advice of the app's fortune teller, Err tries to do everything possible to get the icy Mawin to warm up to him, and as he follows these instructions to keep the fortune teller happy, the two gradually grow closer…
As the final entry in my coverage of the MuTeLuv anthology, this marks the second of the series' only two BL stories among the eight total. Spanning four episodes of approximately 45 to 50 minutes each, the plot utilizes an enemies to lovers setup that leans heavily into comedy to maintain a lighthearted tone. While it succeeds at being what it sets out to be, the experience might have been even sharper with some tighter editing. After making a superstitious vow to visit nine temples if he secured his position, Tum becomes the leader of the Nuea-in gang, but his luck spirals downward when he fails to follow through. He suffers repeated beatings at the hands of the rival gang, which is led by Oh, a man famous for stitching the insignias of every defeated leader onto his own pants after snatching their badges. When a friend suggests that this broken promise is the source of his misfortune, Tum decides to finally embark on the nine-temple merit-making trip. In a twist of fate, Oh is also out performing the exact same journey, forcing the two of them to travel together despite their mutual reluctance. As they spend multiple nights and several temple visits in each other's company, they begin to truly understand one another, uncovering their shared fears, family issues, insecurities, and actual life goals. As feelings begin to surface, they hook up, yet Tum finds himself unable to admit to his friends that his feelings for Oh are real. He eventually breaks through that barrier, and love does its…
It has been some time since I watched a movie set during the Pandemic, but this production immediately transported me back to that bizarre era that feels like a lifetime ago. By writing the script and starring as the lead character Chico, the Brazilian filmmaker successfully recreates that specific headspace of isolation, Zoom calls, and the social distancing that eventually became a new normal. However, the film is dull. While the director's intended message might have worked well as a short film, the actual experience involves stretching everything into long scenes where almost nothing happens. Living through lockdown alone, Chico is a bear who treats covid protocols like sacred law, spending his time watering plants and following workout videos. This rigidity has caused his friends to label him the protocol police, a reputation that has slowly pushed them all away. During a Zoom call, he receives even more bad news when his long-distance boyfriend ends their relationship, claiming he is no longer bisexual and has been sleeping with women throughout the pandemic. Despite his lonely routines, Chico remains horny, and watching porn is no longer enough to satisfy him. He reaches out to an old flame to arrange a hookup in perhaps the least seductive manner possible, asking the guy if he would like to have sex while following all the protocols. When the guy arrives, a charged scene of sexual simulation unfolds behind plastic curtains, eventually leading to them being fully naked and having sex with their masks still on. However, the moment the guy pulls his mask off,…
There are no curveballs or surprises here; once you strip everything away, you are left with a very simple Japanese love story. The series asks the viewer to slow down and simply sit with two people as their feelings quietly take shape over time. While the friends-to-lovers trope is nothing new, the show manages to stretch the single question of whether risking a friendship is worth it across ten full episodes of 24 minutes each, along with a bonus episode following them after they finally move in together. I will say the leads are charming, but my patience did start wearing thin, a point I will get into later. Bonded by a shared passion for photography, Minato and Wataru first formed a close connection during high school, a friendship that only deepened over time. While Minato is the quieter type who takes time to open up, Wataru has always ensured he never feels like an outsider. Their bond grew even tighter during university when they decided to live together as roommates. Even during a period when Wataru was seeing a girlfriend, Minato somehow remained the person who mattered most to him. Minato, simply grateful for their connection, promised they would remain friends regardless of what happened. However, everything changed after graduation when Minato moved away for a job in another town. Returning to a quiet, empty apartment, Wataru had a sudden realization: he is in love with Minato. This epiphany was so frightening that he went completely silent and cut off all contact. Three years later, while Wataru is working…
The sheer volume of Thai vertical BL content flooding in from everywhere right now creates a sense of FOMO that keeps pulling people like me in, even when we know better. This particular title serves as a perfect example of that trap. It relies on every lazy trope available to the format, featuring a bad story and basic acting that suggest the only real goal is churning out content in the hope that nobody notices. Everything changed for Ramin once his loving family was gone following the death of his parents. He was taken in by a man named Chai, but rather than raising him, Chai used him as a political prop to gain public support and influence. The person Ramin became was shaped by years of abuse, manipulation, and control within that household. Then Napat enters the picture; though no one around him realizes it, he is the son of a mafia king. An attraction pulls the two together, leading them to sleep together twice. Napat falls for Ramin, completely unaware that Ramin is essentially living under Chai's thumb. Because neither of them knows the other's true identity, an almost-real love situation hangs between them that remains unspoken. Ramin is unable to speak because he has been sent to either destroy Napat's feelings or kill him. Meanwhile, Napat stays quiet, convinced that Ramin will run as soon as the mafia connection is revealed. To add to the mess, Ramin's mother gets dragged in near the end, which feels like a last-ditch attempt to throw more chaos at a story…
It is rare to find a film that manages to transport an audience so effectively, yet this 2024 Cannes premiere achieves exactly that by immersing viewers in the 1990s and the HIV/AIDS reality faced by gay and bisexual men during those years. Rather than feeling like a modern production reflecting on the past, it functions as a proper time capsule that feels as though it could have been produced during that very era. Given how surprisingly hard it is to find gay-themed films set against the backdrop of the AIDS crisis, this work feels especially necessary. The story at its center is warm enough to allow almost anyone to connect with it, and the film handles the period's emotions with a palpable sense of love and respect. The narrative begins in 1990, centered on a moment at a party where a young couple, Sammy and Emma, both kiss a stranger who offers them ecstasy. This encounter triggers a shift in Sammy, leading him to reveal his bisexuality to Emma; though caught off guard, she responds well. A few years pass, and as the pair prepares to move into a new flat, they are joined by their son, Nathan. Their neighbor, a renowned photographer named Cyril, experiences an immediate creative spark upon seeing Sammy and Nathan and asks to photograph them. While Cyril is HIV positive and managing his condition with AZT, his health remains stable. An irresistible pull draws Sammy and Cyril together into a relationship, one where Cyril is transparent about his status and Sammy remains unfazed. When Emma…
