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Vivre, Mourir, Renaître (French) [To Live, To Die, To Live Again]

Review Vivre, Mourir, Renaître (French) [To Live, To Die, To Live Again]

It is rare to find a film that manages to transport an audience so effectively, yet this 2024 Cannes premiere achieves exactly that by immersing viewers in the 1990s and the HIV/AIDS reality faced by gay and bisexual men during those years. Rather than feeling like a modern production reflecting on the past, it functions…

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Review In the last day
Katlaa Curry (Gujarati) [Fish Curry]

Review Katlaa Curry (Gujarati) [Fish Curry]

Because regional Indian cinema seldom explores gay love stories, a Gujarati film tackling the subject feels significant from the start, especially as this one aims to convey a meaningful message regarding self-acceptance in a world that makes it so difficult. While the Narmada river villages serve as a visually stunning backdrop, and the care taken…

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Review In the last day
Lijepa vecer, lijep dan (Croatian) [Beautiful Evening, Beautiful Day]

Review Lijepa vecer, lijep dan (Croatian) [Beautiful Evening, Beautiful Day]

Set in communist Yugoslavia during the late 1950s, this film presents a jarring blend of beauty and devastation. We follow a group of friends working in film who find themselves hunted, humiliated, and punished solely because of their homosexuality. It is a devastating cinematic experience that explores the heavy price of bravery, loyalty, and standing…

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Review In the last day
Padres (Spanish)

Review Padres (Spanish)

Between the direction, the acting, and the overall presentation, watching this movie felt like sitting through a Spanish soap opera. The pacing is consistently off; much like a typical soap, the buildup drags on far longer than necessary, only to rush toward the payoff. The final act then speeds through the conclusion with several half…

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Review In the last day
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GayRR: LGBTQ+ Culture and Life
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Finlandia (Spanish)

Finlandia (Spanish)

In Oaxaca, southern Mexico, the Zapotec people recognize muxes as a third gender, living out their identities in a non-binary way. Because Mexican culture is largely machista, muxes frequently take on caregiver roles, earning significant respect for both their contributions and their very existence. Rather than a standard movie, this film acts as a piece...
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