Using oral histories, this documentary explores a very particular chapter of New York gay life in America. In 2014, a box packed with hundreds of letters was discovered in an LA storage unit. The letters, dating back to the 1950s, were addressed to a young man named Reno Martin, who would later become Hollywood agent Ed Limato. After Martin left home to pursue a career in radio, his closest gay and queer friends continued writing to him simply to keep in contact. Each letter is signed under a fake name and closes with a request to burn it once it's been read, which says everything about a time when being gay—or appearing in drag—could land you in jail. The filmmakers managed to find the surviving writers, now in their eighties and nineties, turning what could have been dry historical research into something deeply personal and intimate. The filmmakers tracked down the original letter writers, several of whom are still alive, and had them speak openly about what it meant to live on the margins in those days. They've also assembled amazing archival photos and footage, bringing back the drag pageants and smoke-filled backrooms that once acted as a home base for the LGBTQ community, all under the constant weight of fear and oppression. At the time, you could legally be fired, beaten up, or worse simply for being gay. Closeted people who wrote love letters or anything that exposed their sexuality would nearly always tell the recipient to destroy them afterward, terrified they could end up in the wrong hands.…

This film fits neatly into the ongoing trend of male bonding dramas, centering on two men—one straight and one gay—whose lives become intertwined following a shared loss. While the underlying concept is good, the execution fumbles the potential. The movie fails to provide proper explanations at the beginning or resolutions at the end, and the focus is frequently diverted by various side characters and storylines that should have remained with the two leads. The narrative would have benefited significantly from more digging into the characters' histories. Following the death of Kenneth, his estranged son Martin travels from New York back to the family home in Cape Cod, ending years of no contact. Martin is unaware that after his mother passed, his father entered a relationship with his gardener, Ted, who is now left grieving alone. Forced to sit across from one another, these two strangers—the son and the partner—must navigate funeral arrangements and the reality of life moving forward. Because the man Ted describes with such love bears little resemblance to the father Martin remembers, their dynamic shifts between being weirdly funny and genuinely sad. The tension centers on the house: Martin views it as something to sell, especially with a relentless real estate agent constantly appearing to push that agenda, while Ted wants to stay in the place where his entire relationship with Kenneth lived. Martin, however, is not in a rush to hand over what he considers his right to deal with. The film gives both men a fair hearing, avoiding making either one the obvious villain. While…

Not a single person in this movie is given a proper name. It seems the creators intended to strip away labels to make sexuality appear normal, though I am at a loss as to what they actually hoped to achieve with that approach. The film functions as a quiet, low-budget suspense piece characterized by very little dialogue. In my opinion, the experience was a messy blend of a grim suspense flick and a queer romance blossoming under weird circumstances, which ultimately fell flat. Rather than building a proper foundation, they simply padded the runtime with long, drawn out moments that would have been better spent fleshing out the plot.Haunted by memories of a former partner, a nameless guy leaves his house to camp out in the desert, which is how the plot begins. He is ambushed by an unseen force during the night, leading to his rescue by a man and a woman who tend to his injuries. However, their farm seems to exist completely outside the normal flow of time. It is immediately apparent that both hosts are interested in the newcomer, though the woman's behavior fluctuates between being flirty and being outright creepy. While a mutual attraction develops between the two men, the woman maintains all the power; she becomes super angry when she realizes her gentle partner is falling for the helpless visitor. On separate occasions, the stranger has passionate encounters with both of them. As the story wraps up, the local guy helps him break free. Even though the traveler begs him to escape this bizarre…