Free adaptation of the short story of the same name by Henry James, La bête dans la jungle is a new delightful OFNI signed Patric Chiha. Anaïs Demoustier and Tom Mercier are formidable in this atmospheric and highly romantic work.
1979. May (Anaïs Demoustier), in her twenties, is a night owl. She loves going to the capital’s nightclubs with her trendy friends. As she goes to a new establishment that does not yet have a name, she recognizes John (Tom Mercier), a handsome boy who had deeply marked her ten years earlier. She was then just a teenager and, as one can guess, had fallen under his spell when he revealed to her an enigmatic secret: something, “the thing,” would one day happen to her…
John does not recognize May and does not really remember this meeting at first. Then the memory vaguely returns. No matter: May and John will become friends, night companions. Obviously, May is in love and hopes that her patience will be rewarded by following John in his bubble. But the mysterious romantic beau will remain unfathomable, asexual. For 25 years, from 1979 to 2004, they will wait for “the thing” to happen, meeting every Saturday night in the same nightclub. Will the long-awaited thing finally happen?


Already, what a beautiful cast! Anaïs Demoustier is as always super accurate, immediately makes her character of lovesick, dreamy and sacrificial woman very endearing. At first glance, one would not necessarily imagine her as a trendy clubber and yet she is formidable. The character of May is our point of reference, the one who bridges reality and reverie. Tom Mercier finds here a new magnetic and beautifully strange role after his wonderful performances in the film Synonymes and in the series We are who we are. Always dressed in his suit jacket and shirt, elegant and timeless, with a smooth and angelic face, he seems to come from another planet in the guise of John. A completely unique romantic hero, rather asocial, certainly melancholic, with an enchanting charm. He will prove to be a delicious and poisonous trap for May, who will devote 25 years of her life to him. Finally, Béatrice Dalle has a sympathetic supporting role that suits her perfectly, that of a mischievous bouncer, with a delicately evil look and maternal tenderness that can emerge at any moment.


A bit like them, we do not necessarily want to put words on what we see and on what we experience watching this very singular, sensory, modest film, a fascinating declaration of love to the night and to reverie. We come out of it as if from a trance, a long dream, with the desire to return.
I find the idea of May and John meeting every Saturday night for 25 years pretty haunting. The way John stays so enigmatic and asexual adds to the suspense, especially with this mysterious ‘thing’ always looming in the background. It sounds like the film really leans into atmosphere and unanswered questions.